Tiffany has performed on stages in Poland, Romania and Greece, and around the US, including many stages in Chicago and Michigan.
Praise for Yen:
- Jeff Nomination, Tiffany Bedwell, Best Supporting Performer
- Jeff Nomination, YEN, Best Production
- Jeff Nomination, Elly Green, Best Director
- Jeff Nomination, Claire Chrzan, Lighting Design
- Jeff Citation, Netta Walker, Best Supporting Performer
- Jeff Citation, Sam Hubbard, Artistic Specialization
“. . . the crass brilliance of Tiffany Bedwell’s Maggie. . .” New City Stage, Ben Kaye
“. . . a stellar quartet of gifted actors . . .” Chicago Theatre Review – Highly Recommended
“Maggie, solidly played by Tiffany Bedwell. . .” Around the Town Chicago
Praise for Dreaming Grand Avenue:
“… Dr. Emily Wandervogel (Tiffany Bedwell, excellent) who has her own ulterior motives for trying to get inside Maggie’s head.” -Richard Roeper, Chicago Sun Times
Praise for Naked:
Chicago Reader- Highly Recommended
Around The Town Chicago-★★★★★Highly Recommended
Third Coast Review- Recommended
Picture This Post- Highly Recommended
Jeff Recommended!



Praise for Fool for Love:


Praise for Phèdre:

“To say Tiffany Bedwell’s performance as Phèdre is arresting would be understatement: it’s hard to imagine a more invested and varied embodiment of one overwhelmed by forbidden and unrequited lust. Highly Recommended.”
– Chicago Critic
“Bedwell’s performance is an impressive reminder that just because an actress maintains an extreme emotional state for seventy-five minutes doesn’t mean she won’t find a varied and nuanced way of expressing it. . . Bedwell’s performance is the lynchpin. . . Highly Recommended.”
– Around the Town Chicago
“Trap Door . . . is the site of perhaps the greatest Chicago theater success in the last quarter century . . .Highly Recommended.”
– Chicago Reader
Praise for No Matter How Hard We Try:

“Bedwell and Pilch play off each other with a dash of sitcom energy, as if Lucy and Ethel accidentally wandered into Maxim Gorky’s ‘The Lower Depths.'”
-Chicago Tribune
Praise for Watch on the Rhine:

” . . . a lovely turn by Tiffany Bedwell. “
– Chicago Stage Standard
Praise for The Unveiling/ Dozens of Cousins:

” . . . succeeds thanks to the stellar performances of Tiffany Bedwell and Kevin Cox . . . . “
– Chicago Tribune
“[The] laser-sharp cast turn 65 minutes of increasing irrationality into a giddy psychological thrill ride.”
– Chicago Reader
Praise for The Arsonists:

“Tiffany Bedwell is elegantly peculiar as Mrs. Biedermann, realizing lovely layers to a potentially one-dimensional character. . . Four Stars.”
-Chicago Stage Review
“Tiffany Bedwell shrieks and smokes with aplomb as . . . Babette.”
-Chicago Theater Beat
“I was rather transfixed by the sheer quality of acting on display . . . . Recommended.”
-New City Stage
” . . . a magical theatrical experience that begs to be seen. . . . The acting and clowning plus the weirdly fine music made Trap Door’s production sizzle. . . . The Arsonists is a must see event.”
-ChicagoCritic.com
“Trap Door Theater ensemble has come out in force for ‘The Arsonists’ . . . . Altogether, it’s breathtaking. The set, costume, sound, props: all impeccable . . . . [T]his show is a wonder, and deserving of the highest accolades and attention . . . . [E]xcellent theater.”
-Centerstage
Praise for Anger/Fly:

” . . . [T]he performances [are] so charismatic—even seductive—that I would’ve been transfixed under any circumstances.”
– Chicago Reader
“Nobody has sardonic smiles down pat quite like the raucous, challenging, giddy ensemble over at Trap Door Theatre.”
– Time Out Chicago
” . . . a visceral and truly stunning experience. This is Theatre of the Absurd done right . . . . [T]he ensemble absolutely shines and deserves mention by name: Tiffany Bedwell, Casey Chapman, Anya Clingman . . . . “
– Stage and Cinema
“The deliciously deranged ensemble takes on the madness at full throttle . . . . Stellar performances by the entire cast . . . . Four Stars.”
– Chicago Stage Review
” . . . [E]xtremely funny, thanks in large part to the actors’ silent-film-style intensity and deftness at rapidly oscillating between comedy and deadly seriousness.”
– New City Stage
” . . . the nine-person cast engenders rapt attention through their captivating performances.”
– Chicago Theater Beat
Praise for Jungle of Cities:

” . . . a most engaging and powerful tour de force production by eleven of the strongest non-Equity actors in Chicago. It is a masterwork of the highest order, one that begs to be witnessed . . . . This is one of the best show[s] of the year!”
– ChicagoCritic.com
“The performances in Truax’s excellent staging are stylized but burn with intensity, giving the piece an air at once restrained and savage.” – Time Out Chicago
” . . . strong performances and adept direction.”
– Chicago Theater Beat
Praise for A Couple of Poor, Polish-Speaking Romanians:

“Romanians stars the always busy and never less than excellent [Kevin] Cox . . . and [Tiffany] Bedwell, whose silhouette and alert-but-weary vulnerability uncannily recalls Trap Door legend Nicole Wiesner. . . . Their wicked chemistry draws you in even as the playwright dares you to run screaming the other way.”
– Time Out Chicago
“Trap Door Theatre, which has made a specialty of producing avant-garde work from eastern Europe, brings first-rate ensemble acting and striking minimalist, multimedia design to Dorota Maslowska’s intriguing 2006 black comedy.”
– Chicago Reader
“The ensemble is amazing.”
– Chicago Stage Review
“The cast is all together exceptional with particularly spellbinding performances delivered by Kevin Cox, Tiffany Bedwell, Marzena Bukowska and Kinga Modjeska.”
– Chicago Stage Review
Praise for The Unconquered:


“The performances are thoroughly engaging, particularly [Tiffany] Bedwell’s febrile teen . . . .”
– Chicago Tribune
“Trap Door has amassed a solid, savvy acting and design team.”
– Time Out Chicago
“Highly Recommended!”
– ChicagoCritic.com
Praise for The Beastly Bombing:

“an enthusiastic and lovable cast of lunatics… that might just help you laugh your way through the nightly news.”
-After Dark Chicago
“truly ingenious”
-The Chicago Tribune
Praise for Eva Perón:

“Tiffany Bedwell is an erotic, multi-tasking wonder as Eva’s supposedly loyal nurse. She sparks with jealous fervor and the righteous indignation of the underprivileged.”
– Chicago Free Press
“the punk-rock stuff of Andrew Lloyd Webber’s nightmares”
-Timeout Chicago
“Nobody this side of Lake Michigan, does nihilistic debauchery with the howling, hyper sexualized panache of the Trap.”
-UR Chicago Magazine
Praise for Avenue A (EP Theatre):
“It’s smartly directed by Bradley M. Bartolo in the company’s casual Pilsen storefront and features a quartet of strong performances . . . . Joey (an electrifying Garrett Prejean) is a former con living with his injured brother, Chickie, and desperately trying to jump-start his life on the outside, despite a few obvious “quirks,” as his sweet-but-naive Italian girlfriend Rosa (a disarming Tiffany Bedwell) calls them.”
– Chicago Tribune
Praise for History of a Handgun:

Praise for Blasted (A Red Orchid Theatre):
“. . . [T]his unbelievable ensemble’s grasp of the subject matter, the theme and mood and their command of character (each dialect perfect thanks to the work of Tiffany Bedwell), sets A Red Orchid’s production far above that of most other theaters.”
– Centerstage Chicago
Theatre represented by Paonessa Talent
Madison Edgington: madison@paonessatalent.com / 773.360.8749
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